Haunted by the memories of his time in the Gulf war, Jacob tries to adjust to civilian life aided mainly by his friendship with his commanding officer, Hilt who has made civvie life work for him. However, Jacob's stable reality is crushed when Hilt is killed during a suspected mugging that went wrong. Now Jacob feels it's his duty to find the truth behind the incident and bring closure to Hilt's widow, Louise. His investigation has him going head to head with DCI Lane and his partners Sergeant Egan and DC Carter as his own life starts to entwine with those he suspects of being involved. Amongst them is East End villain turned property tycoon Brannigan Woods, Marcus Clancy whose recent workaholic attitude has put a strain on his marriage to cheating wife Claire and their rebellious teenage daughter, Hannah. Dr Audrey Grey is the couple's therapist who is trying to keep the family together whilst her own existence is slowly sinking into self destruct mode...

Lacking a traditional plot, the non-linear story follows the path of emotions and sensations. Based on actual events the film shows five acts – Miracle, Atonement, Regret, Prayer, Forgiveness – that might help us overcome the fear of death…

A young woman experiences the worst life has to over in this depressing but worthwhile Colombian drama tinged with a hint of magical realism. Paola Baldion plays Marina, a withdrawn teenager whose abusive grand-dad houses her in a dilapidated shed. When the old fart pops his clogs, Marina passes into the care of cousin Jairo (Julian Roman), a cheesecake photographer who "hires" her to help him with his gear, and the two end up taking an episodic road trip as they travel to reclaim grandpa's legacy. Unpleasant flashbacks to Marina's tragic childhood ensue. Yep, the good times never end in this one! Known in English as Portraits in a Sea of Lies, this meditation on the 50-year long Colombian civil war - as seen through the grueling experiences of our heroine - won the Jury Award for Best Narrative Feature at the 14th Cine Las Americas International Film Festival.

A newswoman is consumed by suspicions and guilt over her rocky marriage.

Following his use of art, painting and sculpture, in his work of the previous decades, Hurwitz took on a project for the American Foundation of the Arts aimed on deepening and enriching, for art students, the way in which we see. Working with his second wife, the editor Peggy Lawson, he made four short films comprising The Art of Seeing Series. The films, made without words, are beautiful poems to the pleasure of sight. This is the second part of his series.

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Sophie's life has changed. His illness has disappeared and has found love. But when her husband takes her wedding night at the attic that he bought, Sophie has a strange feeling. Since then, his life will be hell.

33-year-old Roman decides to tackle his drug addiction by undergoing group therapy as part of a community holed up on an isolated farm in the Šumava mountains. Twelve people, men and women of varying ages and social status, voluntarily subject themselves to a tough regime under the supervision of three therapists. Many of them have stared death in the face already – overdoses, suicide attempts, and aggression heightened by the use of hard drugs, outwardly affecting even the strongest of them. Each brings something of his past into the group, which he has to experience again, both for himself and for those assembled. Past anguish, wrongs and guilt give rise to new problems: in this thickening atmosphere of suspicion and lies, who can still be trusted? This intimate psychological drama deliberately sets out to break up the tight narrative form through retrospectives in which we learn about the past life of each individual.

The fortunes of two expeditions a century and a half apart become mysteriously linked in the same desolate stretch of Kalahari Desert. In 1848 the Broon family are sent by the London Missionary Society to look for and convert a legendary race of strangely deformed savages. In 1983, a team of three people go off in search of what really happened.

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